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Kubot: The Aswang Chronicles 2 (2014)


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Kubot: The Aswang Chronicles 2 (2014)

2012's Tiktik: The Aswang Chronicles looked like an experiment of today's visual effects, but that surprisingly becomes the least memorable part of the movie since it already provides a lot of witty humor and excitement within its characters and direction. This sequel is a little less straightforward but tackles the same merits as it fools around with its monstrous mythology and shifts either from silly to awesome. The film may not offer beyond than having random set pieces in its own story, but this is already a rich and amusing world that not even the little problems of the plot matter. Kubot: The Aswang Chronicles 2 just lets the creativity and ridiculousness flow throughout the experience.

Kubot is a little less gritty than the first one. The effects were also kind of moderated in comparison, but the movie shines better when it's all about the characters dealing with their own situations in a rather comical way. Following the plot doesn't exactly matter in this edition; how the film constructed each scenario, including the ones that introduces its characters, brings total intrigue. The real deal of this journey is just having fun with its weird universe, the kind of imagination that is rarely available in today's Filipino cinema. And there we take a look on a factory that grinds human parts into hotdogs, and then we watch most of its characters not taking their monstrous threat seriously and sometimes make a priceless gag about it, and finally the Hollywood wannabe action scenes that finds creative ways of pulling off each set piece. This is just a perfect combination of twisted, hilarious, and fun. What more could you ask for?

Some might ask for a little more depth into the story's drama, but that is easily resolved in the end where it also plays with a crueler gag. In spite of not having a definite plot, it still provides rich details in its surroundings. The craft is still solid, bringing real aesthetic flavor to this larger-than-life adventure. The action scenes are cool enough to pose as a big blockbuster, though my only complain that anyone else may not agree with is some of the slow-mos. This is probably just a me thing, but as much as tries to look awesome, it rather slows down the momentum, but then it's never a big deal if the movie is already this entertaining. It's best if it's all choreography. The acting is pretty much the same and it's a great thing. Dingdong Dantes continues to be an appealing hero to this franchise, which also hints humor in his character's swagger. Joey Marquez and new to the cast, Lotlot de Leon, bring a perfect chemistry for the movie's best comic relief.

Kubot: The Aswang Chronicles 2 is perfectly entertaining. Some might seek for more than being funny and cool, but they might be missing the real fun. The film still has some little flaws, but they are easy to ignore anyway. The franchise just continues to expand this mythology and it gets even more interesting. It's just totally adventurous and silly, hardly comparable to other local fantasy films getting released in a while. These Aswang Chronicles movies have its own personality and that what makes them special.

A family of bloodthirsty monsters descends on the city to take revenge on the man that caused the death of so many of their own.
Director: Erik Matti
Writers: Erik Matti, Michiko Yamamoto
Stars: Manuel Aquino, Ramon Bautista, Dingdong Dantes




Soure: IMBD
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Scorpio Nights 2 (1999)


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Scorpio Nights 2

Andrew is careful nearly to the point of fixation. From the way he conveys his garments to the way he conveys his Physics addresses, Andrew is deliberate in all that he does.
Director: Erik Matti
Writers: Peque Gallaga , Lore Reyes
Stars: Albert Martinez, Joyce Jimenez, Daisy Reyes


Soure: IMBD
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Eseng ng Tondo (1997)


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Eseng ng Tondo
The tale of an obsessive worker policeman who is so committed to his occupation that it makes struggle amongst him and his envious spouse Digna (Jenny Syquia). It likewise stars Ina Raymundo as Elvie, a road savvy source who begins to look all starry eyed at him.

Directors: Fernando Poe Jr. (as Ronwaldo Reyes), Augusto Salvador
Writers: Manny R. Buising, Pablo S. Gomez
Stars: Fernando Poe Jr., Ina Raymundo, Jenny


Soure: Youtube.IMBD
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Hari ng yabang (1997)


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Hari ng yabang (1997)
Driven with aspiration and good looking looks, Adelbert (Estrada) is extremely idealistic to wed a rich girl.He seeks after other ladies in their area, not minding his neighbor Elena who is infatuated with him yet is not rich.One day, Elena coincidentally catches Adelbert that she is not the young lady for him due to her status.Hurt, Elena leaves town.Soon after Edelbert acknowledges Elena is critical to him and began searching for her.
Director: Artemio Marquez
Writer: Artemio Marquez
Stars: Joey Marquez, John Estrada, Angela Marquez


Soure: Youtube.IMBD
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Ang agimat: Anting-anting ni Lolo (2002)


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The film had great enhancements, rendered by PC illustrations. It likewise had a variety of delightful outfits. With the exception of the manananggal (half-bodied animal) who looked senseless. The sound impacts were additionally brilliant, and amplified the impact of sensational minutes in the film. Jaime Fabregas benefited an execution as some sort of specialist who was pressured by abhorrence strengths to do their offering. What's more, Mylene Dizon was a persuading manananggal, that you would get shudders being with her with the way she looked and acted. It was fairly shrewd of them to make the manananggal be a longganisa producer in the meantime, to play with the frightful impact of her part. Shockingly, that is the minimum great I can say in regards to this film.

The story is weak and has evident likenesses to The Mummy Returns. To aggravate it, the story with regards to the what, when, why of the lowlife character is never uncovered. It never at any point endeavors to break the generalizations. It was a doltish story which never seemed well and good. Who was that carcass that the scientist was attempting to restore? Why was she so irate? Whenever restored, what did she plan to do? Why was Maria Makiling there out of the blue? Who was the father of the focal character? Can any anyone explain why the manananggal was likewise working for the principle scoundrel? Is it safe to say that she was truly gathering hearts for the principle scalawag, or simply having her daily hunger? The characters had no measurement. The film was a virtual harebrained.

Bong Revilla Jr. could likewise utilize some essential acting workshop. The naming was self-evident. The sequencing likewise awful. The sudden appearance of two brutal colleagues harming a pariah in some backwoods on a night never seemed well and good. Bong Revilla himself is a noteworthy stain in the film. Why such a terrible on-screen character tackle three parts? He plays the (butod) saint in a roman shield, the old janitor, and the outcast who was safeguarded by the fundamental character. I recollect that him lecturing that robbery harms the film business by denying on-screen characters and performers with employments. Yet, on this film he unreasonably tackles two additional parts, which could have been employments for two other individuals.

Director: Augusto Salvador
Writer: Peque Gallaga (story and screenplay)
Stars: Ramon Revilla, Ramon 'Bong' Revilla Jr., Jolo Revilla



Soure: youtube, IMBD