Ang agimat: Anting-anting ni Lolo (2002)



The film had great enhancements, rendered by PC illustrations. It likewise had a variety of delightful outfits. With the exception of the manananggal (half-bodied animal) who looked senseless. The sound impacts were additionally brilliant, and amplified the impact of sensational minutes in the film. Jaime Fabregas benefited an execution as some sort of specialist who was pressured by abhorrence strengths to do their offering. What's more, Mylene Dizon was a persuading manananggal, that you would get shudders being with her with the way she looked and acted. It was fairly shrewd of them to make the manananggal be a longganisa producer in the meantime, to play with the frightful impact of her part. Shockingly, that is the minimum great I can say in regards to this film.

The story is weak and has evident likenesses to The Mummy Returns. To aggravate it, the story with regards to the what, when, why of the lowlife character is never uncovered. It never at any point endeavors to break the generalizations. It was a doltish story which never seemed well and good. Who was that carcass that the scientist was attempting to restore? Why was she so irate? Whenever restored, what did she plan to do? Why was Maria Makiling there out of the blue? Who was the father of the focal character? Can any anyone explain why the manananggal was likewise working for the principle scoundrel? Is it safe to say that she was truly gathering hearts for the principle scalawag, or simply having her daily hunger? The characters had no measurement. The film was a virtual harebrained.

Bong Revilla Jr. could likewise utilize some essential acting workshop. The naming was self-evident. The sequencing likewise awful. The sudden appearance of two brutal colleagues harming a pariah in some backwoods on a night never seemed well and good. Bong Revilla himself is a noteworthy stain in the film. Why such a terrible on-screen character tackle three parts? He plays the (butod) saint in a roman shield, the old janitor, and the outcast who was safeguarded by the fundamental character. I recollect that him lecturing that robbery harms the film business by denying on-screen characters and performers with employments. Yet, on this film he unreasonably tackles two additional parts, which could have been employments for two other individuals.

Director: Augusto Salvador
Writer: Peque Gallaga (story and screenplay)
Stars: Ramon Revilla, Ramon 'Bong' Revilla Jr., Jolo Revilla



Soure: youtube, IMBD
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